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Quinn James’s carvings are an excellent choice for collectors seeking authentic Indigenous artwork that carries forward generational knowledge
enthusiasm and naivete are a source of endless fascination – especially when the setting is a hauntingly beautiful prairie or foothills landscape
collectible art for modern interiors
making them highly sought-after by collectors of Canadian sculpture
RESTING CARVER 10 Quinn James’s carvings are anInuit graphics, including drawings and prints, represent a relatively recent but highly significant development in Arctic Indigenous art. Emerging in the mid 20th century with the establishment of the first print studio in Kinngait (Cape Dorset) in 1957, Inuit printmaking quickly became a vital form of cultural expression. Since then, annual print collections have showcased the creativity of Inuit artists, supported by galleries such as Canada House
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