Nessie but shaping their long arcs

but shaping their long arcs into something more immediate

Combine loops and articulations to make more complex rhythms and textures and automate eq and effects

and for layering wood and plastic colors in ways you couldn’t get live

Piccolo Long

Nessie but shaping their long arcsAll tail. Nessie is made from real sounds that were sampled, resampled, and then pushed one step further through 100% wet reverbs. Whats left is all tail. But heres the thing: when you commit to reverb like that (no dry signal, just reflections) you can start to control it. Shape the envelope. Sculpt the decay. It stops being a background texture and starts behaving like a lead. I began with real recordings (plucks, winds, percussion, tonal elements)