Sesshū-Studie im Rundbild von Kano Insen'in 狩野伊川院 |  1775-1828 mit Kalligrafie von Kamo Suetaka 加茂季鷹 | 1754-1841 Vögel This scene is therefore “sizzling”

This scene is therefore “sizzling” and is representative of a then newly emerging entertainment culture

Sie ist original und könnte heute so nicht mehr neugestaltet werden

but he recognized the signs of the times and embraced the reshaping of Japan during the Meiji period (1868-1912)

The reason for the long-tailed tits' red bellies is surely for color balance – they are meant to provide a counterpoint to the intensely red camellias on the left

Sesshū-Studie im Rundbild von Kano Insen'in 狩野伊川院 |  1775-1828 mit Kalligrafie von Kamo Suetaka 加茂季鷹 | 1754-1841 Vögel This scene is therefore “sizzling”Kan Isen'in is one of the last great Kan masters. The Kan school was the leading art institution in Japan since the 15th century if a young talented painter wanted to learn the trade thoroughly, he went to a Kan master. There were authoritative Kan studios in all major centers in Japan. Their directors were the top artists of the time. Kan Isen'in was the 7th director of the Kobikich studio in Edo (Tokyo), which carried out the orders of the country's