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By accentuating the photographer’s fixed position vis-à-vis the endlessly changing light source
Paper and pencil are nevertheless always at hand
sheets of white A4 paper (hundreds) and spontaneous
(Hans Theys)
Ritsart Gobyn ‘In Between’ Books By accentuating the photographer’s fixedRitsart Gobyn (b. 1985) explores the boundaries of our perception in a subtly subversive way. His paintings on rough, unprimed canvas are covered with shreds of paper, smears and stains, tape, traces of pencil, dirt and dust. They are the traces of the creative process that have gathered on the canvas, while lying on the studio floor. The more attentively we look at the paintings, the more we start to doubt what we observe. The tape turns out to be a
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